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The opening of the DAYS OF THE DEAD FESTIVAL! JOIN US! The Witching Hour is back and ready to brew up a batch of all new bite-sized horror stories. The evening of short horror plays will strike fear into your hearts, and maybe a bit of laughter into your souls. This time around we've got some spooky short plays for you featuring ghoulish guests, cursed containers, worried witches, and more. So when the night comes, gather around our (figurative, not literal) cauldron and get ready to stir up some spooky tales. Featuring: Brothers of the Box by Nick Luis When Death came to dinner by Laurel Mora Vardo by Nicole LeBlanc A Haunting of 48th St by Gwyn McAllister Bridge Crossings by Kento Morita
Under St Marks
To commemorate the 175th anniversary year of Edgar Allan Poe’s mysterious death in 1849, Stephen Smith performs four of the American author’s most spine-chilling classics, back-to-back and unabridged: The Tell-Tale Heart; The Pit and the Pendulum; and The Raven. Poe’s archaic language paired with Smith’s award-winning tour-de-force performance offers gothic horror fans and classical literature lovers an atmospheric evening rich with imaginative storytelling, making this truly a marathon of the macabre. The perfect theatrical treat for Halloween season: One Man Poe arrives at after a sold-out 21-show run at the 2024 and 2025 Edinburgh Festival Fringe, where it also won the 2024 Spookies Award for "Best Horror Solo Show", and the 2025 Derek Award for "Best Overall Show of Edinburgh Fringe". “Powerfully moving… This show quite literally took my breath away… Unmissable!” ★★★★★ Everything Theatre “A compelling and repelling experience” ★★★★★ MyTheatreMates “Edgar Allan Poe himself would love this powerful performance” ★★★★★ The Derek Awards “Awe-inspiring… An incredibly gripping and enthralling evening” ★★★★★ North West End “The definitive Fringe interpretation of these already much-loved works” ★★★★★ The Wee Review “A captivating night of terror, guilt, grief and murder most foul… A must-see” ★★★★★ Broadway Baby Age Suitability: for 12+ Show length: 80 minutes, no intermission
Under St Marks
This production is a celebration of the Mexican Holiday Day of the Dead and would bring together traditions, poetry, stories, and music in a variety show form. The stage will feature a traditional ofrenda or altar to the loved ones who have passed away. The audience will become part of the experience, they will be able to participate with the artists on the ofrenda enjoying some of the offerings to the dead such as Mexican hot chocolate and pan de muerto. The performances will consist of a group of artists dedicating their art form to a loved one that has passed away. Each artist will share a little information about their loved one and will add their photo and an object that represents something they loved to the ofrenda.
Under St Marks
Miriam Wasmund’s "Your Faithful Reader" is a slice-of-life tapestry that highlights the uniqueness of personal stories and the universality of human experience. The performances explore themes of identity, family, love, loss, and a full spectrum of emotion. Miriam, an Alvin Ailey-trained dancer, choreographer, writer, and producer, living and creating in NYC since 2001. In 2019, she founded Your Faithful Reader, an experiential dance theatre company that merges the worlds of acting and dance with real letters submitted by the community, transforming them into a powerful one- or two-act journey through the human experience. The concept emerged from Miriam’s personal journey with grief and self-discovery after losing her brother and mother. Missing the exchange of letters with her family, she began writing and invited others to do the same. The overwhelming response led to the creation of "Your Faithful Reader", demonstrating the power of shared experiences through the innovative integration of dance, theatre and authentic personal narratives. The company solicits letters from everyday individuals—addressed to anyone or anything—based on prompts. These letters, ranging from romantic and funny to brutally honest, form the core of each performance. A team of actors, dancers, and creatives then brings them to life, creating immersive and emotionally resonant experiences that foster connection and celebrates storytelling. For the Frigid NYC Days of the Dead Festival, we’d plan to use new and archived letters inspired by the depth of understanding of loss, the celebration of life in both small and communal ways, and the ways we - who are still earth side - go on as champions of our ancestors and passed loved ones. Performances on: October 19th at 2pm and October October 25th at 3:30pm
Under St Marks
The horror movie classic gets twisted into Shakespeare, as Laurie Strode must keep herself and her friends safe from the evil murderer Michael Myers, all while Doctor Loomis rushes to protect her.
Under St Marks
Spooky Town is a dark comedy about a town haunted not by ghosts, but by laughter. When laughter rates suddenly skyrocket in a small, eerie town, X and Z think little of it—until people start dying. Not from fear or violence, but from laughing too hard. As mysterious blood puddles appear, power flickers, and odd new student Y becomes increasingly unsettling, the friends find themselves at the heart of something deeply wrong. They uncover that laughter is no longer harmless—it’s deadly. But the more they try to resist it, the more contagious it becomes. Spooky Town blends comedy and horror through a surreal, often absurd lens. Part paranormal mystery, part existential panic, the play explores how we cope when the line between joy and destruction disappears. With sharp dialogue, queer romance, and escalating tension, it’s a love story about fear and a theatrical ghost story without any ghosts. Just try not to laugh.
Under St Marks
In the chilling aftermath of “ONE-MAN WHODUNNIT: The Tale of Francis Grey and the Case of His Dead Boyfriend,” the shadows of Mistyfield Hospital for the Criminally Insane loom ominously. Rebecca, ensnared within its cold, echoing walls for her sinister attempt to end Jimmy’s life, leaves Francis with a sense of fleeting respite. His peace is shattered by the haunting realization of Rebecca’s decades-long scheme to unravel his existence. As Francis steps into the hospital’s dimly lit corridors, he encounters not just the twisted remnants of his former friend, but a malevolent entity—a centuries-old demon, its eyes gleaming with a promise of eternal torment. Desperate to save his life and soul from this dark force, Francis must confront the demon that now inhabits Rebecca, questioning his own sanity as he whispers, “What would Buffy do?”
Under St Marks
When Tom Galván takes his own life, his family and friends and most importantly, his ex-boyfriend, gather to say their goodbyes on a day that happens once every four years. Realizing none of them are prepared for the funeral, they band together to get through this tragedy. With humor, tears, anger, and cake, they learn how to hold onto the love they have always had, while moving forward in a world that seems so cruel for no reason. Oh, and maybe the ghost of Tom Galván shows up to haunt them in a way only he knows how.
Under St Marks
BURIED ALIVE! a matchbox theatre, is a frightfully funny exploration of our age-old fear of being buried alive, and the curious phenomenon of 19th Century “waiting mortuaries.” Tiny and interactive, it is full of dreadful discoveries for a mature audience of 25-30. BURIED ALIVE! is based on historical and medical facts and urban myths. Performed on a tabletop, and constructed entirely in and of matchboxes, it takes advantage of the unique qualities of these tiny stages. Images and characters slide out, slide through, pop up, and drop out of the matchboxes. The puppeteer embodies the tiny characters to magnify the action. BURIED ALIVE! is creatively anachronistic and plays with scale. For ages 12 and up. “...depicted with comic deadpan perversity...a wink and raised eyebrow of an entertainment.” -- womanaroundtown.com Performances on Oct 20th at 8:45pm and Oct 26th at 5:30pm
Under St Marks
Dark comedy or however you want to call it, about a very in love couple- they both want to kill themselves, but there is only one gun with one bullet, who deserves to die more? And what happens when a demon and the devil himself gives a hand in that decision?
Under St Marks
One part The Crucible, one part Monty Python. When it comes to the witch hunts, this 60-minute fast-paced comedy asks the very important question: “If we really were witches, wouldn’t we just cast a spell to get away?” What if real witches dropped in on the witch hunts? “Witches” follows the troubles of Obediently Snead, a townswoman in the 1600s who is just trying to stay alive. The head witch hunter, John Thomas, has different ideas. Fortunately, the ghost of Obediently’s ancestor is looking out for her and summons the real witches to the rescue. Antics ensue.
Under St Marks
In one hour of drag, clown, and desperation, Señor Babyhead presents his Día de Muertos Especial. It’s a journey across the Sonoran Desert in which Babyhead encounters artifacts, mirages, and spirits. Who is Señor Babyhead? Only Mexico’s most (washed up) famous sitcom star, desperate to stay relevant and avoid becoming an artifact, himself. It’s an hour of crooning, crawling, and implicating the audience in a dangerous game. Analisa Raya-Flores is a writer, performer, and papier-mâché artist. Her fiction can be found in Glimmer Train and MonkeyBicycle, and her face can be seen in My Beloved (Eleanor Monahan), Interesting Ball (DANIELS), and live venues all over LA and NYC. Her plays have been produced at the Annenberg Beach House and the Elysian Theater. In 2023, her screenplay Farewell Chica was a semifinalist at the Austin Film Festival Competition. As a queer Chicana, she creates work that celebrates and interrogates the Mexican-American experience, from the grief of diaspora and to the awkward hassle of Otherness. Analisa is autistic, which gives her a perspective neurotypicals often call “unique”— which she decodes to mean “unintentionally weird.” She lives, worries, and walks her dogs at the foot of the Sierras.
Under St Marks
Santiago is your average guy going through a mid-20s crisis. He’s massively overworked, massively underpaid, and nursing a massive crush on his supposedly straight roommate (who just so happens to also be his childhood best friend and first boyfriend from before Santiago transitioned). Santiago also talks to dead people. Following a near death experience in his teens, Santiago works as a Record Keeper documenting memories of the recently deceased so they can pass on to the afterlife. However, his frequent communions with the dead strain his ability to connect with the living, especially his roommate Isaiah. “What Remains” is a 90 minute dramedy that investigates how the lives we think we should lead have the power to ruin the ones we actually have. Content warnings: allusions to suicide, death, allusions to homophobia.
Under St Marks
CLOSER focuses on the intimate relationship between two sisters who find themselves trapped in a painting. By day, they sit peacefully around a pond, minds seemingly full of meaningless pleasantries. But with nightfall comes the demands of their captor. In order to keep the art fresh, and in-turn keep themselves alive, the sisters must feed the painting human lives. As their deadline approaches, the sisters find themselves at odds, debating between morality and immortality. This thrilling horror challenges how deep a sister's bond goes and asks what people won't sacrifice to be young forever.
Under St Marks
Bright White Light is an earnest exploration of life and its most important moment: death. Centered around a conversation between an amicable Grim Reaper and a fiery Ornithologist, the play dares to ask, "Is rage the appropriate response to the dying of the light?" Bright White Light was originally written and performed for the NYC Fringe Festival 2025 and won an Extension Award with Frigid's Days of the Dead Festival
Under St Marks
Step into the darkly comic world of Brokeneck Girls: The Murder Ballad Musical—winner of Best New Musical at the NYC Fringe Festival, Broadway World’s Best Book of a Musical, and more. For one night only, NYC’s folk-noir powerhouse Brokeneck Girls perform the haunting, foot-stomping score live in concert, with scenes from the brand-new video projected between songs. Rooted in the tradition of violence against women in folk music, this sharp-witted social commentary blends true crime, outrageous humor, and hidden history with an unflinching take on violence in entertainment. Don’t miss this rare chance to experience the award-winning sensation in a thrilling mix of live music and theatrical storytelling.
Under St Marks
You’re invited to Trinity’s Necromancy Party! She found a dead body in her backyard, and now she’s invited all her friends and others to resurrect the mystery man. Together they’ll celebrate the summer, play jump rope with the line between life and death, and try not the start the zombie apocalypse in Jersey City in this new play from playwright Leo Layla Díaz and director Hannah Marie Pederson.
Under St Marks
Madrugada En Manhattan (Manhattan's Midnights): In the heart of Loisaida (Lower East Side), Toro, a Nuyorican musician, is haunted by the spirit of Luna. But she's more than a spirit, she is a memory; she's a messenger of forgotten love, a cosmic destiny, a love from a past life. Toro must awaken to who he truly is- BORICUA. If he fails, humanity never know true love and the stars will vanish from the night sky. Blending Puerto Rican folklore, Latino rhythms, and poetic magical realism, Madrugada en Manhattan (Manhattan's Midnights) is more than a love story, it is an epic bilingual drama, a revolution, and a tribute to culture’s power to outshine even the darkest night. Written and Directed by, international artistic diplomat, Reyna de Jesús Music arranged and produced by, Grammy nominee, Adan Perez Madrugada en Manhattan (Manhattan's Midnights): En el corazón de Loisaida, Toro, un músico neoyorquino, se encuentra con el espíritu de Luna. Pero Luna es más que un espíritu: es un recuerdo, una mensajera de un amor olvidado, un destino cósmico, un amor de una vida pasada. Toro tiene que despertar a quien realmente es: BORICUA. Si no, la humanidad jamás conocerá el amor verdadero y las estrellas desaparecerán del cielo nocturno. Combinando el folclor puertorriqueño, los ritmos latinos y el realismo mágico poético, Madrugada en Manhattan (Manhattan's Midnights) es más que una historia de amor: es un drama bilingüe épico, una revolución y un homenaje al poder de la cultura para brillar en la inmensa oscuridad. Escrita y dirigida por Reyna de Jesús Arreglo y producción músical por, Adán Pérez.
Under St Marks
At Burlesque Buffet, necromancers aren’t the only ones raising spirits. Blood Lust is a sultry, spooky burlesque cabaret where bump-and-grind meets the macabre. Our cast of dazzling ghouls and glamorous monsters will haunt the stage with acts that are equal parts fright and delight. Expect slinky vampires, seductive slashers, and mischievous witches conjuring up chills, thrills, and a few devilish laughs. With hauntingly beautiful costumes, spine-tingling music, and just the right amount of camp, Blood Lust is a celebration of all things wicked and wonderful. Join us for a night of glitter, giggles, and ghoulish glamour—you’ll leave howling for more.
Under St Marks
Vintage chanteuse and composer Artemisia LeFay, great-granddaughter of Mexican traveling troubador and composer Longinos Guerrero, will conjure up rare cabaret gems dug up from the graveyards of early 20th century Europe and Mexico to a historically inspired cabaret show, PHANTOMS OF THE CABARET. As an homage to her Mexican roots in celebration of Día de los Muertos, accompanied by her mother, renowned classical pianist Renée Guerrero, Artemisia will perform songs written by her great-grandfather Guerrero, the Mexican composer Manuel Ponce, haunting folk songs, as well as LeFay's dark cabaret compositions. PHANTOMS OF THE CABARET is sure to be an unusually delightful diversion from the trappings of the world of the living.
Under St Marks
The opening of the DAYS OF THE DEAD FESTIVAL! JOIN US! The Witching Hour is back and ready to brew up a batch of all new bite-sized horror stories. The evening of short horror plays will strike fear into your hearts, and maybe a bit of laughter into your souls. This time around we've got some spooky short plays for you featuring ghoulish guests, cursed containers, worried witches, and more. So when the night comes, gather around our (figurative, not literal) cauldron and get ready to stir up some spooky tales. Featuring: Brothers of the Box by Nick Luis When Death came to dinner by Laurel Mora Vardo by Nicole LeBlanc A Haunting of 48th St by Gwyn McAllister Bridge Crossings by Kento Morita
Under St Marks
To commemorate the 175th anniversary year of Edgar Allan Poe’s mysterious death in 1849, Stephen Smith performs four of the American author’s most spine-chilling classics, back-to-back and unabridged: The Tell-Tale Heart; The Pit and the Pendulum; and The Raven. Poe’s archaic language paired with Smith’s award-winning tour-de-force performance offers gothic horror fans and classical literature lovers an atmospheric evening rich with imaginative storytelling, making this truly a marathon of the macabre. The perfect theatrical treat for Halloween season: One Man Poe arrives at after a sold-out 21-show run at the 2024 and 2025 Edinburgh Festival Fringe, where it also won the 2024 Spookies Award for "Best Horror Solo Show", and the 2025 Derek Award for "Best Overall Show of Edinburgh Fringe". “Powerfully moving… This show quite literally took my breath away… Unmissable!” ★★★★★ Everything Theatre “A compelling and repelling experience” ★★★★★ MyTheatreMates “Edgar Allan Poe himself would love this powerful performance” ★★★★★ The Derek Awards “Awe-inspiring… An incredibly gripping and enthralling evening” ★★★★★ North West End “The definitive Fringe interpretation of these already much-loved works” ★★★★★ The Wee Review “A captivating night of terror, guilt, grief and murder most foul… A must-see” ★★★★★ Broadway Baby Age Suitability: for 12+ Show length: 80 minutes, no intermission
Under St Marks
This production is a celebration of the Mexican Holiday Day of the Dead and would bring together traditions, poetry, stories, and music in a variety show form. The stage will feature a traditional ofrenda or altar to the loved ones who have passed away. The audience will become part of the experience, they will be able to participate with the artists on the ofrenda enjoying some of the offerings to the dead such as Mexican hot chocolate and pan de muerto. The performances will consist of a group of artists dedicating their art form to a loved one that has passed away. Each artist will share a little information about their loved one and will add their photo and an object that represents something they loved to the ofrenda.
Under St Marks
Miriam Wasmund’s "Your Faithful Reader" is a slice-of-life tapestry that highlights the uniqueness of personal stories and the universality of human experience. The performances explore themes of identity, family, love, loss, and a full spectrum of emotion. Miriam, an Alvin Ailey-trained dancer, choreographer, writer, and producer, living and creating in NYC since 2001. In 2019, she founded Your Faithful Reader, an experiential dance theatre company that merges the worlds of acting and dance with real letters submitted by the community, transforming them into a powerful one- or two-act journey through the human experience. The concept emerged from Miriam’s personal journey with grief and self-discovery after losing her brother and mother. Missing the exchange of letters with her family, she began writing and invited others to do the same. The overwhelming response led to the creation of "Your Faithful Reader", demonstrating the power of shared experiences through the innovative integration of dance, theatre and authentic personal narratives. The company solicits letters from everyday individuals—addressed to anyone or anything—based on prompts. These letters, ranging from romantic and funny to brutally honest, form the core of each performance. A team of actors, dancers, and creatives then brings them to life, creating immersive and emotionally resonant experiences that foster connection and celebrates storytelling. For the Frigid NYC Days of the Dead Festival, we’d plan to use new and archived letters inspired by the depth of understanding of loss, the celebration of life in both small and communal ways, and the ways we - who are still earth side - go on as champions of our ancestors and passed loved ones. Performances on: October 19th at 2pm and October October 25th at 3:30pm
Under St Marks
The horror movie classic gets twisted into Shakespeare, as Laurie Strode must keep herself and her friends safe from the evil murderer Michael Myers, all while Doctor Loomis rushes to protect her.
Under St Marks
Spooky Town is a dark comedy about a town haunted not by ghosts, but by laughter. When laughter rates suddenly skyrocket in a small, eerie town, X and Z think little of it—until people start dying. Not from fear or violence, but from laughing too hard. As mysterious blood puddles appear, power flickers, and odd new student Y becomes increasingly unsettling, the friends find themselves at the heart of something deeply wrong. They uncover that laughter is no longer harmless—it’s deadly. But the more they try to resist it, the more contagious it becomes. Spooky Town blends comedy and horror through a surreal, often absurd lens. Part paranormal mystery, part existential panic, the play explores how we cope when the line between joy and destruction disappears. With sharp dialogue, queer romance, and escalating tension, it’s a love story about fear and a theatrical ghost story without any ghosts. Just try not to laugh.
Under St Marks
In the chilling aftermath of “ONE-MAN WHODUNNIT: The Tale of Francis Grey and the Case of His Dead Boyfriend,” the shadows of Mistyfield Hospital for the Criminally Insane loom ominously. Rebecca, ensnared within its cold, echoing walls for her sinister attempt to end Jimmy’s life, leaves Francis with a sense of fleeting respite. His peace is shattered by the haunting realization of Rebecca’s decades-long scheme to unravel his existence. As Francis steps into the hospital’s dimly lit corridors, he encounters not just the twisted remnants of his former friend, but a malevolent entity—a centuries-old demon, its eyes gleaming with a promise of eternal torment. Desperate to save his life and soul from this dark force, Francis must confront the demon that now inhabits Rebecca, questioning his own sanity as he whispers, “What would Buffy do?”
Under St Marks
When Tom Galván takes his own life, his family and friends and most importantly, his ex-boyfriend, gather to say their goodbyes on a day that happens once every four years. Realizing none of them are prepared for the funeral, they band together to get through this tragedy. With humor, tears, anger, and cake, they learn how to hold onto the love they have always had, while moving forward in a world that seems so cruel for no reason. Oh, and maybe the ghost of Tom Galván shows up to haunt them in a way only he knows how.
Under St Marks
BURIED ALIVE! a matchbox theatre, is a frightfully funny exploration of our age-old fear of being buried alive, and the curious phenomenon of 19th Century “waiting mortuaries.” Tiny and interactive, it is full of dreadful discoveries for a mature audience of 25-30. BURIED ALIVE! is based on historical and medical facts and urban myths. Performed on a tabletop, and constructed entirely in and of matchboxes, it takes advantage of the unique qualities of these tiny stages. Images and characters slide out, slide through, pop up, and drop out of the matchboxes. The puppeteer embodies the tiny characters to magnify the action. BURIED ALIVE! is creatively anachronistic and plays with scale. For ages 12 and up. “...depicted with comic deadpan perversity...a wink and raised eyebrow of an entertainment.” -- womanaroundtown.com Performances on Oct 20th at 8:45pm and Oct 26th at 5:30pm
Under St Marks
Dark comedy or however you want to call it, about a very in love couple- they both want to kill themselves, but there is only one gun with one bullet, who deserves to die more? And what happens when a demon and the devil himself gives a hand in that decision?
Under St Marks
One part The Crucible, one part Monty Python. When it comes to the witch hunts, this 60-minute fast-paced comedy asks the very important question: “If we really were witches, wouldn’t we just cast a spell to get away?” What if real witches dropped in on the witch hunts? “Witches” follows the troubles of Obediently Snead, a townswoman in the 1600s who is just trying to stay alive. The head witch hunter, John Thomas, has different ideas. Fortunately, the ghost of Obediently’s ancestor is looking out for her and summons the real witches to the rescue. Antics ensue.
Under St Marks
In one hour of drag, clown, and desperation, Señor Babyhead presents his Día de Muertos Especial. It’s a journey across the Sonoran Desert in which Babyhead encounters artifacts, mirages, and spirits. Who is Señor Babyhead? Only Mexico’s most (washed up) famous sitcom star, desperate to stay relevant and avoid becoming an artifact, himself. It’s an hour of crooning, crawling, and implicating the audience in a dangerous game. Analisa Raya-Flores is a writer, performer, and papier-mâché artist. Her fiction can be found in Glimmer Train and MonkeyBicycle, and her face can be seen in My Beloved (Eleanor Monahan), Interesting Ball (DANIELS), and live venues all over LA and NYC. Her plays have been produced at the Annenberg Beach House and the Elysian Theater. In 2023, her screenplay Farewell Chica was a semifinalist at the Austin Film Festival Competition. As a queer Chicana, she creates work that celebrates and interrogates the Mexican-American experience, from the grief of diaspora and to the awkward hassle of Otherness. Analisa is autistic, which gives her a perspective neurotypicals often call “unique”— which she decodes to mean “unintentionally weird.” She lives, worries, and walks her dogs at the foot of the Sierras.
Under St Marks
Santiago is your average guy going through a mid-20s crisis. He’s massively overworked, massively underpaid, and nursing a massive crush on his supposedly straight roommate (who just so happens to also be his childhood best friend and first boyfriend from before Santiago transitioned). Santiago also talks to dead people. Following a near death experience in his teens, Santiago works as a Record Keeper documenting memories of the recently deceased so they can pass on to the afterlife. However, his frequent communions with the dead strain his ability to connect with the living, especially his roommate Isaiah. “What Remains” is a 90 minute dramedy that investigates how the lives we think we should lead have the power to ruin the ones we actually have. Content warnings: allusions to suicide, death, allusions to homophobia.
Under St Marks
CLOSER focuses on the intimate relationship between two sisters who find themselves trapped in a painting. By day, they sit peacefully around a pond, minds seemingly full of meaningless pleasantries. But with nightfall comes the demands of their captor. In order to keep the art fresh, and in-turn keep themselves alive, the sisters must feed the painting human lives. As their deadline approaches, the sisters find themselves at odds, debating between morality and immortality. This thrilling horror challenges how deep a sister's bond goes and asks what people won't sacrifice to be young forever.
Under St Marks
Bright White Light is an earnest exploration of life and its most important moment: death. Centered around a conversation between an amicable Grim Reaper and a fiery Ornithologist, the play dares to ask, "Is rage the appropriate response to the dying of the light?" Bright White Light was originally written and performed for the NYC Fringe Festival 2025 and won an Extension Award with Frigid's Days of the Dead Festival
Under St Marks
Step into the darkly comic world of Brokeneck Girls: The Murder Ballad Musical—winner of Best New Musical at the NYC Fringe Festival, Broadway World’s Best Book of a Musical, and more. For one night only, NYC’s folk-noir powerhouse Brokeneck Girls perform the haunting, foot-stomping score live in concert, with scenes from the brand-new video projected between songs. Rooted in the tradition of violence against women in folk music, this sharp-witted social commentary blends true crime, outrageous humor, and hidden history with an unflinching take on violence in entertainment. Don’t miss this rare chance to experience the award-winning sensation in a thrilling mix of live music and theatrical storytelling.
Under St Marks
You’re invited to Trinity’s Necromancy Party! She found a dead body in her backyard, and now she’s invited all her friends and others to resurrect the mystery man. Together they’ll celebrate the summer, play jump rope with the line between life and death, and try not the start the zombie apocalypse in Jersey City in this new play from playwright Leo Layla Díaz and director Hannah Marie Pederson.
Under St Marks
Madrugada En Manhattan (Manhattan's Midnights): In the heart of Loisaida (Lower East Side), Toro, a Nuyorican musician, is haunted by the spirit of Luna. But she's more than a spirit, she is a memory; she's a messenger of forgotten love, a cosmic destiny, a love from a past life. Toro must awaken to who he truly is- BORICUA. If he fails, humanity never know true love and the stars will vanish from the night sky. Blending Puerto Rican folklore, Latino rhythms, and poetic magical realism, Madrugada en Manhattan (Manhattan's Midnights) is more than a love story, it is an epic bilingual drama, a revolution, and a tribute to culture’s power to outshine even the darkest night. Written and Directed by, international artistic diplomat, Reyna de Jesús Music arranged and produced by, Grammy nominee, Adan Perez Madrugada en Manhattan (Manhattan's Midnights): En el corazón de Loisaida, Toro, un músico neoyorquino, se encuentra con el espíritu de Luna. Pero Luna es más que un espíritu: es un recuerdo, una mensajera de un amor olvidado, un destino cósmico, un amor de una vida pasada. Toro tiene que despertar a quien realmente es: BORICUA. Si no, la humanidad jamás conocerá el amor verdadero y las estrellas desaparecerán del cielo nocturno. Combinando el folclor puertorriqueño, los ritmos latinos y el realismo mágico poético, Madrugada en Manhattan (Manhattan's Midnights) es más que una historia de amor: es un drama bilingüe épico, una revolución y un homenaje al poder de la cultura para brillar en la inmensa oscuridad. Escrita y dirigida por Reyna de Jesús Arreglo y producción músical por, Adán Pérez.
Under St Marks
At Burlesque Buffet, necromancers aren’t the only ones raising spirits. Blood Lust is a sultry, spooky burlesque cabaret where bump-and-grind meets the macabre. Our cast of dazzling ghouls and glamorous monsters will haunt the stage with acts that are equal parts fright and delight. Expect slinky vampires, seductive slashers, and mischievous witches conjuring up chills, thrills, and a few devilish laughs. With hauntingly beautiful costumes, spine-tingling music, and just the right amount of camp, Blood Lust is a celebration of all things wicked and wonderful. Join us for a night of glitter, giggles, and ghoulish glamour—you’ll leave howling for more.
Under St Marks
Vintage chanteuse and composer Artemisia LeFay, great-granddaughter of Mexican traveling troubador and composer Longinos Guerrero, will conjure up rare cabaret gems dug up from the graveyards of early 20th century Europe and Mexico to a historically inspired cabaret show, PHANTOMS OF THE CABARET. As an homage to her Mexican roots in celebration of Día de los Muertos, accompanied by her mother, renowned classical pianist Renée Guerrero, Artemisia will perform songs written by her great-grandfather Guerrero, the Mexican composer Manuel Ponce, haunting folk songs, as well as LeFay's dark cabaret compositions. PHANTOMS OF THE CABARET is sure to be an unusually delightful diversion from the trappings of the world of the living.
Under St Marks
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